This post suggests a first lesson for debating. It shows students, via a transcript and its related video, how a formal debate speech is done as many of my students are used to a more free-for-all kind of style.
1. Write on the board the following:
Tell students that these three things refer to three important ways to persuade people. Invite students to guess what they are.
It is likely they will first recognize the third one – True that. Inform them that this refers to the logic and reason of your arguments. Also known as Logos.
Then add that Who’s that? refers to the credibility and character of the speaker otherwise known as Ethos. Right on! refers to emotion and appeals to the heart, classically called Pathos.
There was a short comment/discussion on what Hilary Clinton & Donald Trump seemed to prefer in terms of Ethos, Pathos and Logos. This can be an opportunity to categorise the style of whoever happens to be the talking point of the moment.
2. Next write on the board 6 bullet points. Tell them that these refer to how the structure of a typical speech is arranged. Ask them to guess what they are.
As students respond add the following to the 6 bullet points:
b. Statement of facts
Add more details to each of the parts, I took mine from Classical Rhetoric 101: The Five Canons of Rhetoric – Arrangement.
I also noted that the statement of facts can be critical as this is where you get the chance to frame your debate. Hence if your opponents try to shift ground you can claim that they are being irrelevant with respect to how you stated your concerns initially.
3. Next in groups of 3 (or 2) instruct 2 (or 1) of them in the group to put in order a jumbled text (I split the text into 10 parts but you could change this, see end of post). The other person will have the text in the correct order. The person with the text can monitor the people/person that have to rearrange the text. Also the person with the text can check whether the text follows the Arrangement outlined previously.
4. After this have a discussion on the text in terms of arrangement. Students may point out that there is not a real Refutation part. This is true though the lines “But like this is only ordinarily regrettable.” and “It’s not hugely harmful.” could be pointed to as being short admissions of weakness.
5. Now play the video. After playing the video ask class for comments about the delivery. Students may mention things like hurried delivery at times, use of “like” and “right”.
6. Ask students to search the text for any things they notice about the language used.
E.g. Use of humour at start – “So my job tonight like all good feminists is to make you hate things you love and to, like, ruin the simple pleasures of life, like going out.”;
Exaggeration/irony – “But then what happens was that Taylor Swift has one coffee with Lena Dunham and the whole of the history of feminism was altered for ever.”;
Repetition and groups of three – “But, secondly it is just a huge amount of cultural power mis-spent. It’s a huge number of interviews and a huge amount of airtime that she could be spending,”
This lesson took me about an hour. For the remaining 30 mins I asked them in small groups of 5 (or 4) to pick a debate from the idebate.org 100 most popular motions. They then had to work out positions to argue. This was rehearsal for next week’s session where they would perform in their groups in front of the class.
Thanks for reading and I would be very interested to hear about other debate class lessons or ideas or resources.
So my job tonight like all good feminists is to make you hate things you love and to, like, ruin the simple pleasures of life, like going out. So I’m gonna explain to you why you should be deeply regretful of the rise of Taylor Swift. I’m gonna explain to you why you should wish that she had never exploded the way that she did onto the music scene and why specifically we should regret her faux feminist awakening and all the ways that has helped all the women in the world, specifically Taylor Swift.
So, like, first let’s have a little chat about Taylor Swift pre-feminism. I know it seems like a long time ago but this was only last year, right. This was, like, the album she released before 1989. When she was happy to write lyrics like “She’s an actress better known for what she does in the mattress. She wears high-heels I wear sneakers. She wears short skirts, I wear t-shirts.” And of course “I’m not that kind of girl”, right. Lyrics designed to make clear the superiority of Taylor Swift over, like, some un-named slut-shamed other in her, like, pursuit of the man in the song, right. But like this is only ordinarily regrettable. This is only, like, standard beautiful white woman popstar is imperfect in the mass-media, right. But then what happens was that Taylor Swift has one coffee with Lena Dunham and the whole of the history of feminism was altered for ever. So the the rest of my speech is broken down into what I’ve called Girl Power Squad Feminism, White Feminism, and then lastly Self-Serving Taylorism.
So firstly Girl Power Squad Feminism. What is this? Well, like, basically, this is when Taylor Swift parades out large numbers of supposedly successful but noticeably very beautiful women, stand behind her while she talks about solidarity and girl power. Which means, incidentally, buying tickets to Taylor Swift tours, right. Like, firstly, this is just not good enough, right. That’s not what feminism is. It’s not enough to be just successful and claim that you should be behind her just because she’s a woman. But like, secondly, it’s this really strange version of feminism where she declares that she’s supporting other women by letting them stand behind her on her stage whilst she makes a fortune. Like when she drags out the women’s soccer team and gets them to all stand behind her on a stage, at the, whatever the equivalent is of the Wembley Arena is in New York. Like no-one is helped but Taylor Swift. Like, this is just not interesting feminism. It’s not hugely harmful.
But then we come to White Feminism. And because when your feminism is that simple some women necessarily get left behind. Some women are necessarily not helped by a brand of squad girls, white girl feminism. So let’s see for example her exchange with Nikki Minaj labelled a spat or a cat fight or something other, something else gendered and boring in the media.
So what happens is Nikki Minaj tweets saying that women of color are structurally disadvantaged in the music video. Taylor, poor Taylor, feels victimised and plays the solidarity women card which is what feminism is, remember. She says “All I’ve ever done is love and support you” and then says “If I ever win something you can come and stand behind me like you could at one of my concerts, right. This is, like, a kind of strange feminism that just, like, revolves around Taylor, one, not getting it, not getting like the patriarchy affects women of color differently, that it affects queer women differently, that it affects disabled women differently. That your access to a version of empowerment that is built around looking like Taylor Swift is only available to you if you are a woman who looks like Taylor Swift but, two, this is an example of her like, like getting in the way of other women trying to explain some real problems in the world in order to advance her own personal, likable, girl next door brand.
And this is the thing with Taylor Swift’s feminism it is so transparently self-serving. It’s like so completely designed to enable her to use the language of an emerging social movement, popular feminism for her own PR and financial gains. It’s a way for her to deflect criticism and protect her girl next door likability. So if another artist criticises her for getting undue attention because she is a privileged white woman writing inoffensive pop songs as opposed to a woman of color celebrating black female bodies and empowerment in the music industry. She gets to say that, like this is a breakdown of feminist solidarity right. Because of course to be a feminist is to love and support Taylor Swift. It enables her to defend herself against the less powerful right. In the same way that she like uses her enormously powerful team of legal experts to sue people who make “Shake it Off” branded mugs and sell them on Etsy for six dollars. Taylor Swift is using her power against those less powerful than her which includes like Etsy vendors, Niki Minaj and all other women who aren’t Taylor Swift.
So we’re proved she’s not a perfect feminist but does that make her by herself especially regrettable? Well I think it does for several reasons.
Because firstly she hijacks the emerging movement of popular feminism. Something that is, like, building a groundswell of support amongst young women who are starting for the first time to call themselves feminist. And makes it about something just too simple and too easy and that crucially does absolutely no good to anyone but a tiny number of women, right.
But, secondly it is just a huge amount of cultural power mis-spent. It’s a huge number of interviews and a huge amount of airtime that she could be spending, like, actually helping someone, raising money for women’s charities or, like, doing something else.
But lastly, like, it just obscures the work it takes to live a properly feminist life, by making it too easy, by making it all like squad girls, goals and selfies and for me that’s not good enough. Propose.
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